Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Francisco de goya y Lucientes
Christ on the Mount of Olives

ID: 44095

Francisco de goya y Lucientes Christ on the Mount of Olives
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Francisco de goya y Lucientes Christ on the Mount of Olives


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Francisco de goya y Lucientes

b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).  Related Paintings of Francisco de goya y Lucientes :. | The Second of May, 1808 | Holy Week in Spain in Times Past | Portrait of Francisco Bayeu | Saturn devours harm released one of its chin- | Witches in the Air |
Related Artists:
Lochner, Stephan
German Northern Renaissance Painter, ca.1400-1451
Lionel Walden
(1861-1933) was born in Norwich, Connecticut in 1861. He first became interested in art in Minnesota, where the family moved when his father became rector of an Episcopal Church there. As a young man, Walden moved to Paris where he studied painting with Carolus-Duran. In around 1893-97, Walden was in England, living in Falmouth. Paintings of Cardiff in Wales are in museums in Cardiff and Paris. Walden received medals from the Paris Salon and was made a Knight of the French Legion of Honor. He visited to Hawaii in 1911 and several times thereafter. Walden died in Chantilly, France in 1933. According to David H. Forbes, author of Encounters with Paradise: Views of Hawaii and its People, 1778-1941, Lionel Walden "was the finest seascape painter to work in Hawaii". The Brooklyn Museum, the Henry Art Gallery (University of Washington, Seattle), the Honolulu Academy of Arts, the Isaacs Art Center (Waimea, Hawaii), and the Musee d'Orsay are among the public collections holding works by Lionel Walden.
Thomas Dewing
(May 4, 1851 C November 5, 1938) was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Acad??mie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world. He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing. Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897.






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